丁昶文
TING Chaong-Wen
TING Chaong-Wen is skilled in dealing with mixed media, such as space installations which mixed with images and sounds. TING’s works are often inspired by his own experiences and often include ready-made objects, which through the context of a particular exhibition, become part of a particular historical narrative. Thus artist deconstructs, interprets, and reinterprets our shared history in surprising and innovate ways. He examines dominant values, historical conflicts such as colonialism, migration, and cultural collective memory and their cross-border existence.
Recent exhibitions include “Repeat Itself” , Künstlerhaus Bethanien, Berlin (2021) ; “Asian Art Biennial”, National Taiwan Museum of Fine Arts, Taichung (2019) ; “HIGH TIDE 17 FREMANTLE BIENNALE”, Artsource, Fremantle (2017) ; “NAKANOJO BIENNALE 2017”, Former Hirozakari Brewery, Japan (2017) ; “Citation From Craft”, 21st Century Museum of Contemporary Art, Kanazawa (2017) ; “Taipei Biennial 2016: Gestures and Archives of the Present, Genealogies of the Future”, Taipei Fine Arts Museum, Taipei (2016) ; “Koganecho Bazaar 2016”, Koganecho Area Management Center, Yokohama (2016) ; “URBAN SYNESTHESIA”, Kaohsiung Museum of Fine Arts, Kaohsiung (2015) ; “SPECULATIVE DUST”, Corner Art Space, Seoul (2015) ; “Image/ Sound: Concept and Position”, LE CENTQUATRE 104, Paris (2014) ; “NO ONE RIVER FLOWS”, Kuandu Museum of Fine Arts, Taipei (2013).
Recent exhibitions include “Repeat Itself” , Künstlerhaus Bethanien, Berlin (2021) ; “Asian Art Biennial”, National Taiwan Museum of Fine Arts, Taichung (2019) ; “HIGH TIDE 17 FREMANTLE BIENNALE”, Artsource, Fremantle (2017) ; “NAKANOJO BIENNALE 2017”, Former Hirozakari Brewery, Japan (2017) ; “Citation From Craft”, 21st Century Museum of Contemporary Art, Kanazawa (2017) ; “Taipei Biennial 2016: Gestures and Archives of the Present, Genealogies of the Future”, Taipei Fine Arts Museum, Taipei (2016) ; “Koganecho Bazaar 2016”, Koganecho Area Management Center, Yokohama (2016) ; “URBAN SYNESTHESIA”, Kaohsiung Museum of Fine Arts, Kaohsiung (2015) ; “SPECULATIVE DUST”, Corner Art Space, Seoul (2015) ; “Image/ Sound: Concept and Position”, LE CENTQUATRE 104, Paris (2014) ; “NO ONE RIVER FLOWS”, Kuandu Museum of Fine Arts, Taipei (2013).
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